How does performance play into the construction of identity? How do we use performance to enact ideas of gender, class and power? What does it mean to perform different versions of ourselves – and how might that play into our understanding of what it means to be writers? In this craft talk, we’ll look at examples of performance in fiction, theater, dance and film. We will be doing writing exercises, so please come with whatever you need to write and fully participate.
Katie Kitamura’s most recent novel is Intimacies. One of The New York Times’ 10 Best Books of 2021, it was longlisted for the National Book Award and the PEN/Faulkner Award, and was a finalist for the Joyce Carol Oates Prize. It was also one of Barack Obama’s favorite books of 2021. In France, it won the Prix Litteraire Lucien Barriere, was a finalist for the Grand Prix de l’Heroine, and was longlisted for the Prix Fragonard. Her third novel, A Separation, was a finalist for the Premio von Rezzori and a New York Times Notable Book. She is also the author of Gone To The Forest and The Longshot, both finalists for the New York Public Library’s Young Lions Fiction Award. Her work has been translated into 21 languages and is being adapted for film and television. She is a recipient of the Rome Prize in Literature, as well as fellowships from the Lannan, Santa Maddalena, and Jan Michalski foundations. Katie has written for publications including The New York Times Book Review, The Guardian, Granta, BOMB, Triple Canopy, and Frieze. She teaches in the creative writing program at New York University.
Register for the Zoom livestream HERE.